In his one-man play, It Sounds Better in Amharic, the Ethiopian-born Israeli actor Yossi Vassa humorously contrasts life in the old world and the new, mulling over the differences between traditional and modern ways of dating and the respective virtues of traveling by donkey or Lamborghini. He also narrates his family's 400-mile journey from Ethiopia to Sudan—from where, in 1984, the Israeli air force flew 8,000 Ethiopian Jews to Israel. Vassa's family covered the 400 miles on foot, in three months. "Not to brag," he comments, "but it took the children of Israel 40 years."
Operation MosesEdward Alexander, Commentary. The rescue of the starving and impoverished Ethiopian Jews was high drama; the welcome they received in Israel was equally dramatic, as well as generous and enthusiastic. SAVE
After eighty-six years, eighty-two in print and the last few in cyberspace, the New Leader, a quintessential American "little magazine," is folding. Like all good publications, it both embodied and analyzed a world of its own, a world worth remembering.
Life after LifeMyron Kolatch, New Leader. From the March-April 2010 issue of the magazine, in its digital incarnation. (PDF) SAVE
My Years with KolatchBen Yagoda, American Scholar. A reminiscence of life at America's most significant obscure magazine by the author of, most recently, Memoir: A History. (PDF) SAVE
Some mainstream Israeli musicians have recently been turning for material to religious texts; others have become immersed in the musical traditions of Sephardi Jewry. The two trends have come together in a new album, Mizmorei Nevukhim ("Psalms for the Perplexed"), by Kobi Oz.
Psalms for the PerplexedMakom. Kobi Oz's new album: all songs are in Hebrew with English translation and an interview in English. (Audio and video.) SAVE
My GodKobi Oz, YouTube. Oz sings a "duet" with his late grandfather. (Video, Hebrew.) SAVE
With All My HeartEtti Ankri, YouTube. A devotional poem by Yehuda Halevi (ca. 1075-1141) set to music and sung. (Audio, Hebrew.) SAVE
Lowly SpiritBarry Sacharoff, YouTube. A musical interpretation of a poem by Shlomo ibn Gabirol (ca. 1021-ca.1058). (Audio, Hebrew.) SAVE
What qualifies a literary work as "Jewish"? Debates on this subject, once conducted with rigor, have become sillier over the years, descending to the recent call for inducting the African American writer Walter Mosley—whose mother was Jewish, and in whose detective novels the heroes are all black men—into the Jewish literary pantheon.
A.M. KleinZaillig Pollock, Canadian Poetry Online. An introduction to the poet's life and works, with sample poems. SAVE
The Poet as PersonEzra Glinter, Forward. A man of many talents, interests, and occupations, Klein was fascinated most of all by the power of language. SAVE
The Mentor of MontrealHeather McRobie, Guardian. A teacher to the next generation of Montreal poets, Klein struggled like a student to reconcile the different parts of his identity. SAVE
Insight & Analysis
DefianceToldotYisrael. YouTube. Six men who flouted a 1930 British law and blew the shofar at the Western Wall tell their story. (Video). SAVE
Combing for TreasureJoseph Berger. New York Times. Researchers are finally being allowed to review the books and papers of the great Yiddish writer Chaim Grade, who died in 1982. SAVE
Is Diss a System?David Spencer. H-Net. A new book explicates the work of the American cartoonist and storyteller Milt Gross (Nize Baby, Dunt Ask!, etc.), who flourished in the 1920s and 30s—and whom it would be a colossal error to judge from a 21st-century perspective. SAVE
Sephardi SirenRahel Musleah. Hadassah. Yasmin Levy, whose music is like a "deep pool of exquisite yearning and heartbreak," is the international voice—and face—of Ladino song. SAVE
Not Your Grandmother’s CandlesticksMenachem Wecker. Jewish Press. To view the works exhibited at a recent show of contemporary ritual Judaica is to ask where the line should be drawn between Jewish art and Jewish kitsch. SAVE
Through a Warped LensJohn Podhoretz. Weekly Standard. When it comes to the Holocaust, even a documentary based on original footage, like Yael Hersonski's A Film Unfinished, has more in common with other movies than with the experience it depicts. SAVE
Class MenagerieAdam Kirsch. Tablet. A collection of Japanese figurines illuminates the history of the European Jewish dynasty who owned it. SAVE
Of making Jewish music there is no end, but how many contemporary composers of distinguished work in this genre have been featured on From the Top, National Public Radio's program about exceptional young musicians? Jeremiah Klarman, age thirteen when he appeared on the NPR show, may be the sole exception. Now seventeen, with a demonstrated mastery of styles from classical to klezmer, and with chamber, orchestral, and pop compositions under his belt, Klarman has turned his lavish and protean talents to choral music. A premier of his latest work, the cantata Hallel, Shir v'Or ("Praise, Song, and Light"), drawing largely on well-known verses from the book of Psalms, took place in late December at Temple Emanuel in Newton, Mass. Performed by the Zamir Chorale of Boston under the direction of Joshua R. Jacobson, it culminates in a room-rocking, soul-lifting Halleluyah! for chorus and orchestra.
A Day in the LifeRichard Dyer, Boston Globe. Jeremiah Klarman spends an afternoon in 2006 with the "moved, impressed, and amazed" composer Osvald Golijov. SAVE
Third in a series on landmarks in American Jewish literature
In American literature, the critic Leslie Fiedler once quipped, nothing succeeds like failure. But among American Jewish writers, something like the reverse is closer to the truth: for many of their fictional characters, nothing fails so miserably as success. Nowhere is this seen more clearly than in The Rise of David Levinsky(1917), the first classic of Jewish fiction in America.
Hayim Nahman Bialik (1873–1934) was the poet of Jewish national rebirth and a leading light of cultural Zionism. To be more precise, he was a power station. Composing poems, writing essays, founding journals, raising up the sparks of Israel's past, Bialik became an essential source of energy for Jewish cultural revival.
It was bound to happen. Abraham Sutzkever, born July 15, 1913, in Smorgon, Lithuania, one of the great poets of the twentieth century and the last towering figure of modern Yiddish literature, died this Wednesday, January 20, in Tel Aviv, where he had lived since 1947. A descendant of rabbis, Sutzkever applied to the writing of poetry the standards of refinement that his ancestors had practiced in obedience to Jewish religious law. During World War II, when he was herded into the ghetto with the rest of Vilna Jewry, he determinedly continued composing, persuaded that "the angel of poetry" protects the creator of timeless—but only of truly timeless—work.