Insight & Analysis
History without Witnesses Deborah E. Lipstadt. Jewish Week. As the Holocaust disappears from living memory, what matters is not who is speaking but who is listening. SAVE
Bringing Darkness to Light Eva Fogelman. Forward. Agnieszka Holland's Oscar-nominated In Darkness is a vivid and nuanced portrayal of Jews escaping wartime Poland and an important testament to the righteousness of their rescuer. SAVE
Revisiting the Reich Ron Rosenbaum. Smithsonian. William L. Shirer's 1960 history of the Third Reich remains the seminal account of the philosophical roots of Nazism and a stark warning of the dangers of mass political movements. SAVE
Arendt in Jerusalem Sol Stern. City Journal. With their monumental errors of political and moral judgment, Hannah Arendt's writings on Zionism, Israel, and the Holocaust have metastasized into a destructive legacy. SAVE
Why the Nazis Hated Jazz J.J. Gould. Atlantic. For one thing, there are the "Jewishly gloomy lyrics," set against the "hysterical rhythmic reverses characteristic of the barbarian races." Dig?. SAVE
An Eye for Genius Arthur Lubow. Smithsonian. When Leo Stein first saw Matisse's Woman with a Hat, he thought it "the nastiest smear of paint" he had ever encountered. But for five weeks, he and his sister Gertrude went repeatedly to look at it. SAVE
Pound Foolish John Stoehr. Forward. While Pound hailed Hitler, and Gertrude Stein cheered Franco, William Carlos Williams eschewed doctrine and orthodoxy. Herbert Leibowitz's compelling new biography of the modernist poet shows why. SAVE