After the publication of Where the Wild Things Are established Maurice Sendak as a force to be reckoned with in children's literature, he had the opportunity to illustrate Isaac Bashevis Singer's first children's book, Zlateh the Goat and Other Stories.
For readers interested in the development of folk dance and, to a lesser extent, modern dance in Israel, Seeing Israeli and Jewish Dance, edited by Judith Brin Ingber, a dance scholar who has written widely on Israeli dance, is a valuable resource.
What is the threat? Al-Qaeda? "Terrorism"? "Violent religious extremism"? Israeli analysts call it "global jihad," but U.S. leadership has carefully circumscribed it as "al-Qaeda" or, even more narrowly, personified it as Osama bin Laden and his minions, hijackers of planes and Islam.
Israel is a nation-state. In contrast, Diaspora Jewry—in particular, American Jewry—is a network of voluntary communities, constituting not just different structures but different life-worlds. While it is usually taken for granted that nation-states and their respective diasporas will grow apart, with Jews the issue is hotly debated.
Every spring, within a single week, Israel commemorates Yom Hashoah, Yom Hazikaron, and Yom Ha'atzma'ut. These days revisit the core drama of the modern Jewish experience. They are also among the most controversial in the Israeli calendar.
Elhanan Yakira, professor of philosophy at the Hebrew University of Jerusalem, has all the credentials of a man of the Israeli Left: born and raised in Tel Aviv as a Zionist and socialist , a lifelong secular Jew, an opponent of West Bank settlements, an advocate of government intervention in economic policy. Yet many of his colleagues on the Left denounce him as a right-winger and a traitor.
Aryeh Tepper
The stagnation of Jewish tradition is hardly a new story. In a sense, it's a modern Jewish trope. In the 19th century, both the Reform and Conservative movements emerged as responses to this perceived atrophy. Leading Orthodox rabbis, some of whom agreed with the reformers' critique, devised their own attempts to revive the tradition—if, naturally, along more traditionalist lines. Unfortunately, none succeeded in arresting the decline.
Probably the most famous and universally beloved Jewish song of the modern era was written to a hasidic melody by Abraham Zvi Idelsohn (1882-1938). A prolific musicologist, composer, and cantor, Idelsohn wrote the song to celebrate the 1917 Balfour Declaration. In 1922, he recorded it with a Berlin men’s choir in a startlingly slow (to today’s ears) tempo. Since then it has been performed, effervescently, by Jews and non-Jews in countless arrangements and settings.
Probably the most famous and universally beloved Jewish song of the modern era was written to a hasidic melody by Abraham Zvi Idelsohn (1882-1938). A prolific musicologist, composer, and cantor, Idelsohn wrote teh song to celebrate the 1917 Balfour Declaration. In 1922, he recorded it with a Berlin men’s choir in a startlingly slow (to today’s ears) tempo. Since then it has been performed, effervescently, by Jews and non-Jews in countless arrangements and settings.
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