After the publication of Where the Wild Things Are established Maurice Sendak as a force to be reckoned with in children's literature, he had the opportunity to illustrate Isaac Bashevis Singer's first children's book, Zlateh the Goat and Other Stories.
Few things divide and provoke American Jews like the question of Zionism. Though many wish to remember otherwise, this was also the case before the founding of Israel in 1948.
For readers interested in the development of folk dance and, to a lesser extent, modern dance in Israel, Seeing Israeli and Jewish Dance, edited by Judith Brin Ingber, a dance scholar who has written widely on Israeli dance, is a valuable resource.
After 17 years in Israel, our family has temporarily relocated to Brooklyn. For a week after we arrived, our pious Jewish neighbors ignored us. Then, on Shabbat, three of them finally approached us, one after another—to tell us that the neighborhood eruv we were using really didn't exist and that we were profaning the Sabbath.
Recent years have seen a flurry of reports, studies, and worried discussions about strengthening Diaspora Jewry's ties to Israel. But what about strengthening the ties to Israel—or, for that matter, to the Diaspora—of the growing numbers of Israelis who live abroad?
D.G. Myers
Third in a series on landmarks in American Jewish literature
In American literature, the critic Leslie Fiedler once quipped, nothing succeeds like failure. But among American Jewish writers, something like the reverse is closer to the truth: for many of their fictional characters, nothing fails so miserably as success. Nowhere is this seen more clearly than in The Rise of David Levinsky (1917), the first classic of Jewish fiction in America.
Jack Wertheimer
One class is analyzing a talmudic debate after having read it in the original Aramaic; in a neighboring room, students are conversing entirely in Hebrew; in a third, an "Ethicist" column from the New York Times is being examined in light of rabbinic sources; in still another, young men and women are working their way through a biblical text.
Jack Wertheimer
As if from a fantastical time machine, some 300 youngsters disembark in the woods of western Pennsylvania to find themselves at the building site of King Solomon's temple in Jerusalem. In a quick briefing they are introduced to the biblical passages describing the construction project, invited to imagine the challenges confronting the ancient builders—how to move and hoist heavy loads of quarried stone, how to shape metal into giant candelabra—and then immediately drafted into the mammoth task. Only when their labors are complete, two and a half hours later, do they begin the mundane assignment of meeting their counselors and locating their bunks.
Jack Wertheimer
As if from a fantastical time machine, some 300 youngsters disembark in the woods of western Pennsylvania to find themselves at the building site of King Solomon's temple in Jerusalem. In a quick briefing they are introduced to the biblical passages describing the construction project, invited to imagine the challenges confronting the ancient builders—how to move and hoist heavy loads of quarried stone, how to shape metal into giant candelabra—and then immediately drafted into the mammoth task. Only when their labors are complete, two and a half hours later, do they begin the mundane assignment of meeting their counselors and locating their bunks.
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